Andy Von Pip
One of our favourite bands to emerge in recent years, Leeds quartet Post War Glamour Girls recently released their first new material after returning to the studio to work on the follow up to their
The Happy Hollows second album ‘Amethyst’ featured in our top two albums of 2013 (HERE) at the time we described it as ” a dizzying mix of synth pop and spiralling guitars featuring the towering almost
Today we have the premiere of the video for Leeds based quartet FEHM’s simmering ‘ Hand To Mouth’ …a politically charged song with accompanying visuals that encapsulate the sense of rage and dissatisfaction that explodes from the song.
We first came across Abjects in 2013 when Manchester’s PINS unleashed the trio’s debut EP Fast Love via their own Haus Of Pins label. They’re back with the lead track from their forthcoming EP of
This month’s edition of the VPME Podcast brings together a sprinkling of classics tunes with the latest releases. We’ve new music from Girls Names, Lusts, Black Honey, Coves, Torres and Venera 4. Aimée Nash from
Well this is a first! The first time in fact that we’ve made a song our track of the day – twice! However, it is Wolf Alice who have a special place in our hearts
Spectrum EP by Coves What happens when you write one of your finest songs to date? (ie/ ‘No Looking Back’) Do you A/ Release it physically so its magnificence can be held in a tangible
Strange perhaps that a track called ‘Make Me Wanna Die’ has quite the opposite effect. White Reaper prove there’s plenty of life left in incendiary fuzzed up garage rock n roll and although this tune
‘Cocaine Cat’ is a slinky arresting exercise in narcotic seduction and doomed grandeur. It’s a collaboration between Canadian chanteuse Tess Parks and Brian Jonestown Massacre legend Anton Newcombe and it’s rather f*cking wonderful. A demo
‘Greed’ could hardly be called ‘one of the outstanding moments’ from Stealing Sheep‘s second studio album Not Real because practically every track on the album could be afforded that particular honour [thereby making the description itself in
“Burn the past. Reset the clocks. A symphony in three parts.” Belfast’s Girls Names return with the quite remarkable eleven minute epic ‘Zero Triptych’ which they say was inspired by the German artists’ group ‘Zero’
Autobahn’s fabulous new offering ‘Beautiful Place To Die’ conjures up a dark atmosphere of glittering beautiful desolation. Singer Craig Johnson’s brooding, commanding, impassioned vocals allied to urgent guitars and pounding percussion reveal that beneath the
