LAURE BRIARD – Égoîste
It’s at times like these we really wish we’d paid more attention during French lessons at school. If we had we may well have been able to provide a little more context to Laure Briard’s
It’s at times like these we really wish we’d paid more attention during French lessons at school. If we had we may well have been able to provide a little more context to Laure Briard’s
In the wake of the jaw-dropping magnificence of their previous release, the eleven minute opus that was Zero Triptych, Girls Names release Reticence, the lead track from their forthcoming third album ‘Arms Around A Vision.’ It
One of our top tips for 2015 Leeds AUTOBAHN are back with a typically dark offering, a twisted compelling majestic new tune in the shape of ‘Immaterial Man’. It’s from their forthcoming debut album Dissemble and
Bang Gang aka Bardi Johannsson‘s new single ‘Silent Bite’ delivers a shimmering driving slice of dramatic pop gaze. It also features one of our fave singers guesting on vocals in the shape of Helen Marnie (of
Our last purchase ahead of the General Election was to buy The Big Moon’s latest single ‘Sucker’ (as well as the equally spellbinding ‘Eureka Moment’). Given the result of said election, it was probably a
So let us be clear for the avoidance of doubt today’s featured band aren’t technically kids and the aren’t actually from Reykjavik. Reykjavik Kids are in fact Scott Munro and Paul Tissington who met in
The Happy Hollows second album ‘Amethyst’ featured in our top two albums of 2013 (HERE) at the time we described it as ” a dizzying mix of synth pop and spiralling guitars featuring the towering almost
We first came across Abjects in 2013 when Manchester’s PINS unleashed the trio’s debut EP Fast Love via their own Haus Of Pins label. They’re back with the lead track from their forthcoming EP of
Spectrum EP by Coves What happens when you write one of your finest songs to date? (ie/ ‘No Looking Back’) Do you A/ Release it physically so its magnificence can be held in a tangible
Strange perhaps that a track called ‘Make Me Wanna Die’ has quite the opposite effect. White Reaper prove there’s plenty of life left in incendiary fuzzed up garage rock n roll and although this tune
‘Cocaine Cat’ is a slinky arresting exercise in narcotic seduction and doomed grandeur. It’s a collaboration between Canadian chanteuse Tess Parks and Brian Jonestown Massacre legend Anton Newcombe and it’s rather f*cking wonderful. A demo
‘Greed’ could hardly be called ‘one of the outstanding moments’ from Stealing Sheep‘s second studio album Not Real because practically every track on the album could be afforded that particular honour [thereby making the description itself in